ARTIST STATEMENT

The HOOD is an immersive art project that explores, celebrates, and reclaims the concept of support systems within the Black community. Through photography and a compelling short film, this exhibition challenges the negative connotations associated with the term 'hood' while spotlighting the profound bonds of solidarity among Black individuals.

Act I:

BROTHERHOOD captures the enduring connections between Black boys and men, showcasing moments of camaraderie, resilience, and shared experiences. It emphasizes the importance of nurturing these bonds for personal growth and community building.

Act II:

SISTERHOOD portrays the unwavering support systems among Black girls and women. Through evocative imagery, it highlights the strength, resilience, and unity characterizing these relationships, underlining their role in overcoming challenges and fostering empowerment.

Act III:

QUEERHOOD explores the unique support networks within the Black queer community, emphasizing acceptance and self-expression. It showcases the power of safe spaces and self-acceptance, highlighting the beauty of diverse identities.

Act IV:

In the final act, Intersectionality, we bring together the narratives from Acts I to III. By capturing moments where these support systems intersect, we aim to spark conversations about strengthening connections and fostering inclusivity within the broader Black community.


Through The HOOD, we challenge stereotypes and offer a fresh perspective on support systems within the Black community. We invite viewers to engage, reflect, and envision a future where unity, love, and support are central to Black lives. Join us on this journey of rediscovery, connection, and transformation as we celebrate the beauty of Black support systems and envision a more inclusive world.

King-David Olajuwon

King-David Olajuwon, a self-taught photographer, has left an indelible mark in the world of visual storytelling. His lens has captured the essence of cultural diversity and social justice, earning him recognition in esteemed publications like MUSExQueens, Queens Journal of Equity and Racial Justice Volume 1, and Meavz Magazine. Collaborating with prestigious institutions such as The Yellow House and Agnes Etherington of Queen’s University, King-David has seamlessly blended artistry with advocacy. His portfolio extends to iconic events, including the Vogue Charity Fashion Show at Queen’s University, Queens Fashion Industry Network, MUSExQueens, and engagements with the African Caribbean Student Association, Queens Black Academic Society, and Queens Black Fashion Association. King-David Olajuwon's photographic narrative speaks volumes, capturing moments that resonate with cultural richness and societal awareness.

Special Thanks

The artist would like to thank the models: Kasai Major-Browne, Ishmael Linton, Nathaniel Dixon, Kiana Chabikuli, Al-Barr Ajiboye, Lore Chiepe, Noah, Peter Haile, Yafiet Teame, Michael Oyedepo, Erhowvosere Otubu, Rachel Chase-Thomas, Marli Robinson, Zen Kingsley, Noel, Destiny Evbuomwan, Faith Ilehuoba, Deborah Akinbile, Li-El Abraham, Favour Okoh, Bernice Yeboah, and Binyat Akrem.
Backup + Mic boom operator: Shada Barkho Project Leads: Ruth Osunde (Sisterhood), Zen Kingsley (Queerhood)
Make-up: Nifemi Adeoye
BTS Photographers: Erhowvosere Otubu, Chiamaka Ikezu, Binyat Akrem
Studio Assistance: Binyat Akrem, Erhowvosere Otubu
Logistics: Lireesa Gokhool-Jefferson
Special Thanks: Tianna Edwards, Dan Vena, Cam Miller for their help with the project.